一、题目
城市景观与文学
二、主讲人
Péter Hajdu
三、时间
2014年9月11日（周四）下午3点
四、地点
洪家楼校区7号楼222室
五、主讲人简介
Péter Hajdu (1966, Budapest, Hungary) is academic advisor at the Institute for Literary Studies of the Hungarian Academy of Sciences, also professor at University of Pécs, Hungary, and the managing editor of Neohelicon, a major international journal on comparative literature studies. Member of advisory board of three international journals on literary studies. He did extended research in the fields of comparative literature, theory of literature, and classical philology. From 2002 to 2009 he was a member of the ICLA's Research Committee for East- and South-East Europe, between 2002 and 2012 he was the secretary of the Hungarian national Committee, 2008-2014 he was member of the standing research committee for literary theory, and since 2010 member of the ICLA Executive Council. He lectured at various universities in Hungary, Czech Republic, PR China, Japan and Taiwan. He has published 6 books and more than 100 papers.
His most important publications in comparative literature:
“Linear Narrative-Did It ever Exist? : Traditional narratives read as fragmentary vs. fractured post-colonial ones read as linear.” Theoretical Studies in Literature and Art, 33, 2013/3, 155-163.
“On the Ethnic Border: The Image of Slovaks in the Writings of the Modern Hungarian Authors Mikszáth, Krúdy, and Márai.” In Neubauer–Cornis-Pope ed., History of the Literary Cultures of East Central Europe. Vol. 4., Amsterdam/Philadelphia: John Benjamins, 2010, 527–538.
“The Image of the Turk in Hungarian Historical Novels.” In Balkan Literatures in the Era of Nationalism, ed. Murat Belge & Jale Parla, Istanbul: Bilgi University Press, 2009, 53−64.
“Anomalies of Identity: Translations of the Roman Classics in Hungary.” In Eduardo F. Coutinho ed., Beyond Binarisms. 1. Discontinuities and Displacements: Studies in Comparative Literature. Rio de Janeiro: Aeroplano, 2009, 399–404.
“Fighting nature: The example of two Hungarian short story writers” Neohelicon 36, 2009/2: 311–320.
“Secrecy and the Transcendental Desire for Order in Drama and Narrative.” Neohelicon 35, 2008/2, 203−213.
